Playlist of the Week: Jazzy

Jazzy
So gassed to share with yous a proper insight into my USB!
Some days I'm all about house and deep tech. Other days I just want to play feel-good classics. Most of the time though, it's somewhere in the middle. I love taking people on a journey, keeping them guessing, and throwing in those left-field moments that make people look at each other like, "Where did that come from?" That's what I buzz off. This playlist pretty much sums up the full spectrum of what you can expect from a Jazzy set (which you can also watch below).
I'm constantly digging for music. There's no better feeling than finding a track that gives you that buzz, and I never stop chasing it. My sets are a proper mix of everything I love - timeless classics, the tunes everyone's rinsing right now, my own unreleased music that I'm testing out in clubs, and loads of edits. I'm obsessed with edits. I’m always in awe when someone can take a track, whether it's mine or someone else's, and completely flip it into something that feels brand new. That's the kind of stuff that keeps dance music exciting.
Something that's always been really important to me is championing Irish artists. I've been so lucky with the support I've had at home from day one, and I genuinely wouldn't be here without it. Being able to give something back by playing Irish music and booking Irish artists support on my shows whenever I can means the world to me. The talent coming out of Ireland at the moment is unreal, and I'm proud to be able to shine a light on it. Hope yous enjoy! GEWAH!!
PIV is a label that’s shaped my sets for years, so I’m always keeping an eye on what they’re releasing. This has been one of my favourite records of 2026 so far. The whole EP is such a vibe, Jansons absolutely nailed it.
I’ve loved this track for years. It came out a good few years ago now, but it’s one of those tunes that’s genuinely stood the test of time. Timeless house music always finds its way back into my sets, and this is a perfect example.
This is just great house music. It’s skippy, and rolling, and has so much groove without trying too hard. It’s one of those tracks that keeps the energy moving subtlety while giving people space to really get into it.
This is the first single from my debut album, which is coming out in October, so it’s a really special one for me. Chris is an absolute wizard in the studio, and I’m so glad we finally got to collaborate. There isn’t a set I’ve played this in where it hasn’t gone off. Massive love to Chris and I honestly can’t wait for everyone to hear the album.
Proper peak-time business. This is one of those tracks that just locks people in straight away. It’s got so much drive and energy without feeling overcooked, and the groove never lets up. I always know I can rely on this one to take a set up a level.
I’ve been playing Jesse’s music for a while now, and this sums up exactly what I love in a club record. It’s a deep-tech roller with a fun lead, loads of bounce and that two-step groove that always gets people moving. I’d call it a quintessential Jazzy tune.
Chris put this out just before we released Invisible, and I absolutely love his take on such a classic. We played Space Miami together not long ago, and being in the booth when this dropped was such a moment. Probably the only gig I’ve not played it myself!
Seeing Prospa release such an amazing full album is mega. Dance albums don’t always get the recognition they deserve, so it’s such a buzz to see this one dominating. This one is a personal favorite from the album for the euphoria.
This one has been on my USB for a while. Both are very talented producers, with E.T.C being from Ireland, and I’m always trying to support artists from home where I can. There’s so much talent coming out of there.
It makes me so happy that this track is still connecting with people. Woodcamp’s remix gives it a new energy, and it always works so well in my sets, especially when I play it a bit faster.
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