“You’re About to Hear a Weird Record”: TOYZZ on 10 Tracks That Shaped His Sound

Fast-rising Spanish artist TOYZZ is carving out a distinct lane with his bass-driven, genre-blending productions.
Following his recent Truesoul debut, This Beat, he shares 10 tracks that have played a key role in shaping his sound – from early childhood influences to the darker, club-focused records that define his style today.
At the end of the day, my sound is a mix of all of this: dark, aggressive, melodic, and unexpected. That’s where TOYZZ comes from. Together, these influences form the foundation of TOYZZ’s sound – a blend of dark textures, high-energy club dynamics and melodic depth that continues to evolve.
TOYZZ's two-tracker This Beat is out now via Truesoul. Get it on Beatport.
One of my earliest memories is being in the car with my dad. Every week he’d buy new records and play them while we were driving somewhere. I still remember the exact moment, even the spot on the road, when he said: “you’re about to hear a really weird record.” It was Demon Days by Gorillaz, and when “Feel Good Inc.” came on… it blew my mind. That laugh… it wasn’t an instrument, it wasn’t really a vocal either. Can you actually put a laugh in a song? I loved it.
Fast forward about 10 years. My friend Sam turned on his KRK monitors and said: “get ready.” What came next stayed on loop for years. It was “Destinations” by Gesaffelstein. I bought the album, and I still go back to it to this day. For me, it’s a masterpiece. The darker side of TOYZZ definitely comes from here.
Following that same dark energy, but pushing it further: distorted 808 subkicks, raw intensity, almost like electronic heavy metal. That’s where “Cerebral” by Boys Noize comes in. Faster, harder, more aggressive.
Then there was Brodinski. Same universe, but with a stronger hip hop influence. His hypnotic techno-electro sound showed me that this style could also be more refined, more polished. “Let the Beat Control Your Body” was key for me.
Then came chaos: Skrillex. He was the wild version of everything. Industrial sounds, like straight out of a Transformers movie. Pure energy. His album Recess completely blew my mind, especially “Ragga Bomb.” Those reggae vocals, the aggression… I wanted to make something like that.
My first contact with UK garage and British bassline also came from a Dog Blood live set at Monegros. Total mind explosion. When “Without You” came on… it opened a whole new world for me.
Then there’s the melodic side. For me, a true masterpiece. It showed me that electronic music can also be emotional.
More groove-focused and direct - a proper club track that hits straight on the dance floor.
This track was my introduction to drum & bass - another door opening.
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