Beatportal Exclusive: Biscits Is Building His Own Universe—And It’s Anything But ‘WRONG.’

With his 2024 breakout hit Freak climbing to a #3 spot on Beatport’s Top 10 and resonating across global airwaves on Radio 1 and Capital Dance, the Southampton-born producer could’ve easily leaned into replicating that formula. But that’s not how Biscits works.

“We always knew there was something special in it,” he says. “We’d been seeing a crazy reaction in sets, but honestly didn’t expect that reaction. I just wanted to fill a gap in the release schedule before Christmas, and we ended up creating a perfect storm.” What was intended as a low-pressure stopgap release transformed into a defining moment—proving sometimes the most spontaneous ideas yield the most powerful results.

What started as a filler track quickly exploded into a global anthem, earning praise from both club crowds and radio listeners alike. Yet, success hasn’t shaken Biscits’ creative compass. “Nothing has changed to be honest,” he explains. “As soon as I start thinking about specifics, overthinking isn’t far behind—and that’s never a good thing.”

He’s kept his process deliberately unfiltered. The aim is still the same: to make music he loves that works in his sets. That mindset carries into Crush, his next single dropping May 2nd—a track with a long history, shaped and reshaped across the years. “This is like version 5 or 6 now,” he admits. “You probably would’ve heard versions in my sets as long as four years ago.”

Crush may have taken years to finalize, but the result is something powerful and purpose-built. “It sounds completely different to Freak,” Biscits says. “I wanted to make a record that sounded BIG and really works on the bigger stages.”

That intent is already paying off. Mau P has been road-testing Crush on the Resistance stage at Ultra, which speaks volumes about its impact. It’s the kind of cut engineered for scale, but still stamped with the distinct identity Biscits has been honing since day one.

That boldness and individuality are also what fuel his newest venture: WRONG., a label that champions the off-kilter and unapologetically unconventional. “There’s an element of ‘offness’ to all the songs which I love,” Biscits explains. “I’ve always wanted an output where I can take bigger risks—things other labels might not necessarily want to release.”

The imprint isn’t just a vanity project; it’s a mission. Biscits is curating a world for tracks that defy the rulebook, and he’s not alone in that vision. “There are a tonne of acts I’ve met along the way that fit this category too,” he says. “You should be seeing a few of them pop up over the next year and beyond.”

While his studio work grows more ambitious, Biscits’ live presence has remained just as vital. He’s played some of the biggest festivals in the world, but one moment stands out above the rest. “Coachella last year was probably the pinnacle,” he says. “It was mad to go from being a punter in the crowd before the Biscits project had even begun, to then being on the Do LaB stage in front of a packed crowd.”

It was a surreal, full-circle moment—the kind of milestone that reminds him how far he’s come and why the journey still matters.

Despite all the milestones and momentum, Biscits stays grounded by keeping his process fun and personal. “It’s just making sure I still enjoy what I’m doing,” he says. “As soon as I’m not, that’s when the energy and thought process stagnate.”

He’s never been one to chase the algorithm or overanalyze data. “I don’t go into making music with any expectation,” he continues. “I just have to have faith that potential success will come as a byproduct of creating music I’m happy with.” It’s that mindset—detached from pressure and rooted in creative joy—that keeps him sharp.

If you’ve seen Biscits live, you know he doesn’t just press play—he curates energy. “Most who have seen me DJ will know I fill my sets with IDs and bootlegs,” he says. “I’m always looking to add brand new bootleg ideas to the arsenal.”

This hunger to innovate on stage reflects the same spirit that drives his productions. He treats every gig like a proving ground, constantly workshopping new material in front of live audiences and evolving on the fly.

With his signature peak-time anthems firmly established, Biscits is also looking to the future. “I’ve been a massive fan of UK Garage,” he says. “It’s amazing to see it getting the attention it’s getting at the moment. Naturally, I think you might start to hear more influences coming from that side of things.”

While genre exploration is on the table, his approach to success remains pragmatic. “Freak was amazing, but Crush is a completely different proposition,” he says. “As long as the track is received well within my audience, I’ll be happy.” It’s about evolving, not repeating.

Much of Biscits’ recent growth came from an intentional reset. He took nearly six months away from touring to fully dive into production. “The whole plan for 2025 was to elevate my productions,” he says. “I feel like I’ve achieved it. Hopefully listeners will notice that too.”

And there’s more around the corner. “There may be a couple more samples later this year, alongside some great original ideas too,” he hints. “I’m honestly so excited about all the music coming this year. I’ve really enjoyed the process getting to this point.”

From sold-out stages to a self-made label built for outsiders, Biscits isn’t just dropping tracks—he’s building a world. One shaped by belief, experimentation, and an unwillingness to compromise. In a scene that often rewards the predictable, he’s making space for the strange, the bold, and the beautifully WRONG.