Beatportal Exclusive: Traxman Talks Legacy, Innovation, and the Soul of Footwork in Da Mind of Traxman Vol. 3
Chicago footwork legend Traxman makes his long-awaited return with Da Mind of Traxman, Vol. 3. In this Beatportal exclusive, Traxman reflects on nearly a decade away from albums, collaborating with Sinjin Hawke, and balancing the genre's raw roots with modern creativity. Here's what he had to say about his journey and the evolution of footwork.
After Nearly a Decade, Traxman Returns with Volume 3 of Da Mind of Traxman
In a groundbreaking return, Chicago footwork pioneer Traxman has released the long-awaited Da Mind of Traxman, Vol. 3. The album marks nearly ten years since the previous installment and highlights both the artist’s evolution and unwavering connection to his roots.
When asked what inspired this long-awaited release, Traxman credits an exciting opportunity presented by Sinjin Hawke. “He asked me if I was interested in doing another installment of Da Mind of Traxman, and of course I was on board,” he shared. “From the time we started to speak about it, we compiled over 150 to 200 tracks.”
The collaboration with Hawke played a pivotal role in shaping the album. “We were both on the same page,” Traxman explained, “attention-grabbing music that can work for the people.” Sinjin even compared the process to curating a part of Miles Davis’ catalog, a statement Traxman humbly acknowledged: “I take it for what it’s worth—what he thought was worth putting out there.”
The project draws upon a rich archive of tracks, some dating back to 2005, including a standout piece called “Kill the DJ.” Traxman elaborated, “It was a process of taking older tracks and making them up to date. Pretty much a 2002 track brought into today.” Balancing authenticity with innovation, he noted, “I think I went the same route I always go—keeping it raw but adding a couple of new things here.”
Themes of evolution and personal growth run throughout Volume 3. While Traxman describes the release as similar in spirit to previous volumes, he believes it “pushes the envelope more musically” than its predecessors. Reflecting on his role as a mentor to emerging artists, he shared, “I appreciate that. Even for the upcoming artists around the world, I hope they’re coming into this genre of music—it’s quite amazing.”
Traxman emphasized footwork and juke’s deep roots in Chicago’s Black music history. “It’s a foundational Black American thing rooted right here in Chicago,” he said passionately. “It has hardcore real relevance when you come here, go to the parties, or the footwork battles.” He remains dedicated to honoring these origins while pushing the genre forward.
Beyond the dance floor, Traxman’s creative approach is also shaped by audience energy and connection. “It’s what the people are feeling,” he explained. “Not just footwork—but how the average person connects with the music. That’s what’s cool.”
As a DJ, producer, and now a grandfather, Traxman’s life experiences resonate deeply in this album. “It’s something cool for the public around the world—beautiful and musical,” he expressed thoughtfully. “And of course, with my children and grandchildren, it’s something that can be passed down to them—and for all of our children.”
When asked what he hopes listeners will take away from the album, Traxman offered a simple yet profound wish: “Mysterious and mystic. Soulful fun.”
With Volume 3, Traxman continues to honor his legacy while boldly forging new paths, ensuring that the sound of Chicago footwork remains vibrant and forward-thinking.
