Inside Cécille Summer 2026 with Classmatic & Marian

Classmatic returns to Cécille Records after last summer’s “Groove Therapy”, this time joining forces with fellow Brazilian artist Marian for “Brazilian Madness”, their contribution to the label’s new Summer Compilation.  

Bringing together two exciting names from Brazil’s new generation of house music, the collaboration is driven by groove, percussion and the unmistakable energy both artists bring to the dancefloor.

Classmatic & Marian, great to have you with us. Thanks for taking the time to join us for this interview.  

Q: Classmatic, you already became part of the Cécille family last summer with “Groove Therapy” on our Summer Compilation. Now you’re back together with Marian and “Brazilian Madness”. How did the track come together, and how did the collaboration between the two of you start?

A: We became almost neighbors in Florianópolis and then we decided to make some bangers together at some point.  

Q: “Brazilian Madness” definitely lives up to its name – there’s a lot of energy, percussion and Brazilian flavour in the track. Was that direction clear from the beginning, or did the track naturally develop into what it is now?

A: We were switching collabs ideas and then Marian really liked this one and he decided to work on this one. When he put the carnival percussions in the breaks the track changed more to a Brazilian vibe so then the naming Brazilian Madness was born.  

Q: You’re both part of a really exciting generation of Brazilian artists making a big impact on the international house scene. What do you think makes the Brazilian sound and energy so special right now? And how much does growing up in Brazil influence the music you make today?

A: To be honest, I feel like we are only having fun and following our feelings making music without any reference and without any pressure. And the most important thing: supporting each other a lot. The brazilian culture influnced a lot for us in terms of energy and rhythm.  

Q: How did you actually work together on “Brazilian Madness”? Were you in the studio together or exchanging ideas remotely? And what did each of you bring to the track?

A: It was an old idea from myself that I was making in the plane in some flight. And then Marian really liked and asked for working on it. I created the main idea and Marian added some really special details like the carnival percs, builded the main break bringing more energy and some new vocal chops.  

Q: Marian, your music has already had a connection to Classmatic for some time – he has supported your music and you’ve also released on his Organic Pieces imprint. How did your relationship develop from supporting each other’s music into actually making music together?

A: I just sent him promos every month for about a year, and Fred always supported them and had good things to say about my music. Then one day we realized, “We should do something together.”  

Q: Both of your productions are very focused on groove and percussion, but you each have your own musical identity. When you work together, is it easy to find a common sound or do you sometimes have completely different ideas about where a track should go?

A: Yes, we have a very similar taste in music, especially when it comes to the groove and vocals, so it’s very easy for us to find the common sound we’re looking for.

Q: Classmatic, since “Groove Therapy” last summer, a lot has happened for you. Looking back at the last year, do you feel your sound or your approach in the studio has changed? And where does “Brazilian Madness” fit into the direction you’re heading now?

A: True. I feel like my sound is always changing a little bit every year. As much as I play for different crowd and in different countries it influences a lot in my studio result. Brazilian Madness fits perfectly for the ones I make for being club bangers and for playing in big stages.  

Q: Marian, your productions combine classic house influences with a very modern, percussive sound, and sampling plays an important role in your music. Where do you usually find the ideas and sounds that become the starting point for a new track?

A: I always start with the drums. They’ve always been my starting point. Then I start sampling stabs, vocal shots, percussion hits, and little by little, the track starts to come to life.  

Q: Is there a release, collaboration or maybe even a particular artist or label that’s still on your wishlist – something you haven’t done yet but would really love to make happen one day?

A: There’s a lot of artists I’d love to work with. Such as: The Martinez Brothers, Jamie Jones, Brett Johnson, Traumer, Mochakk, Beltran and so much more. Labels: Classic Music Company and NO ART for labels.  

Q: When you’re not in the studio or playing shows, what kind of music do you listen to in your everyday life? Is it still mostly house music, or do you completely switch off and listen to something different?

A: I like to listen to House Music when I’m doing cardio or going to travel but besides that I normally listen to Disco, Funky, Soul and Hip Hop.  

Q: Looking ahead, what are you personally most excited about right now – either in your career or simply in life outside of music? Is there something you’re really looking forward to?

A: My wedding is in less than 30 days from now so I’m so excited to start to grow a family with my wife and maybe for now this is what I’m mostly excited about.  

Q: And finally, what are your plans for the future? Are there any upcoming releases, collaborations, shows or personal goals you’re particularly excited about? And can we expect more Classmatic & Marian music together?

A: I am working an album. And for sure, me and Marian we’ve worked in some many tracks together. There’s more coming in the near future!