Breaka Leans Into Swing on New FABRICLIVE EP 'Mangled'
Arriving a year after his hybrid club album 'Aeoui,' the five-track release finds the UK producer exploring heavy bass, tightly-wound grooves and rhythmic restraint.
Cameron Holbrook

UK DJ/producer Breaka is kicking off a new chapter with Mangled, a five-track EP marking his debut on fabric’s FABRICLIVE imprint. Known for his slippery blend of UK bass, jungle, breaks, and electro, the London-based artist takes a more focused route this time around, locking into swung drums and steady four-to-the-floor pressure while letting groove and space carry the momentum.
The record lands roughly a year after the release of his hybridized club album Aeoui, and finds Breaka intentionally simplifying his rhythmic approach to see what new ideas might surface. Japanese producer and Beatport Next alum Stones Taro joins the project as well, appearing on both the title track and the EP cut “Yes,” adding another spark of club energy to the release. Listen below.
“This record came out of a place of exploration,” Breaka explains to Beatportal. “I realised I’d never really given swing a proper chance, so I started a few projects with kicks on every beat and swung drums. They quickly turned into five simple, functional yet detailed club tracks. It sounds silly, but putting a kick on every beat is very liberating for me. I’ve spent way too much time overcomplicating rhythms. Working with limitations always lets me get more creative.”
Across Mangled, that mindset results in a batch of malleable, club-ready tools that leave plenty of room for DJs to shape the moment while still carrying Breaka’s unmistakable low-end weight.
To mark the release, Breaka has also put together an exclusive Beatport chart highlighting a handful of tracks that caught his ear while writing Mangled, offering a snapshot of the sounds orbiting the EP (listen below).
You might also like

Bakey’s Debut Album is a Love Letter to UK Sound System Culture
Editorial
Alice Austin
5 min

Artist of the Month: salute
Editorial
Cameron Holbrook
5 min

Playlist of the Week: INVT
Editorial
Cameron Holbrook

Eight Emerging Artists On Our Radar: July 2025
Editorial
Cameron Holbrook
5 min

REZZ Drops Exclusive Beatport Chart Ahead of Coachella 2026
Editorial
Cameron Holbrook
1 min

Five Years of Kindergarten Records: Ma Sha on Building NYC's Bass Music Playground [Q&A]
Editorial
Cameron Holbrook
5 min

RSVP Now: Ela Minus B2B Nick León | Beatport Live NY
Editorial
Cameron Holbrook
1 min

Overmono Announce New Album 'Pure Devotion' and Drop “Lockup”
Editorial
Cameron Holbrook
1 min

Eight Emerging Artists On Our Radar: September 2025
Editorial
Cameron Holbrook
5 min

Eight Emerging Artists On Our Radar: January 2026
Editorial
Cameron Holbrook
5 min

RHR Debuts on PAN With Skrillex Collaboration on New 'GÍRIA' EP
Editorial
Cameron Holbrook
1 min

Eight Emerging Artists On Our Radar: March 2026
Editorial
Cameron Holbrook
5 min

Eight Emerging Artists On Our Radar: October 2025
Editorial
Cameron Holbrook
5 min

Blakkat Delivers Late-Night Pressure with ‘Hang On Tight’ EP
Editorial
Cameron Holbrook
1 min

Best New Dance Music This Week: DJ Tennis, Rafael, Inox Traxx & more!
Editorial
Cameron Holbrook & Rachel Narozniak
4 min

Chloé Caillet & Andre Zimmer Channel Full-Voltage Euro Euphoria on “Come Back 2 Me”
Editorial
Cameron Holbrook
1 min

Best New Dance Music This Week: ANOTR, Surusinghe & More on Beatport
Editorial
Cameron Holbrook & Rachel Narozniak
3 min

Skantia & Simula Unite for High-Pressure Dance Macabre Release
Editorial
Cameron Holbrook
1 min

Sir Spyro Reunites with DEEP MEDi for '2nd SQ' EP
Editorial
Cameron Holbrook
1 min

Five Years of Yamatai Records: 15 Tracks That Shaped the Label
Editorial
Cameron Holbrook

Lamsi Takes It “Nice + Slow” to the Top of Beatport’s Bass / Club Chart [Q&A]
Editorial
Cameron Holbrook
3 min

WOST Unleashes His Sweltering 'Primal Motion' EP on LOVE IN THE ENDZ
Editorial
Cameron Holbrook
1 min

