Artist of the Month: Max Styler

Max Styler is living proof that the formula works: If you put in the hours, you will reach your goals. 

It’s simple, but simple doesn't mean easy. For the last 15 years, Styler has been pretty much producing nonstop. The only time he took a month off was when he was touring around Europe last year. Taking a break didn’t help him make better music either. 

“It is almost like an addiction. For me, what helps the most is just consistently writing as many ideas as possible, as much as I can,” Styler says. He throws around variations of the word “consistently” many times during our chat. “Maybe there'll be a time in the future when [taking time off] makes sense, but at least for now, I go a little bit crazy when I'm not producing. It's become such a second-nature part of my life.”

A glance at Styler’s discography demonstrates this relentless work ethic. In 2025, he maxed out at three singles, three EPs, and two remixes, totaling 12 tracks. In 2024, there were 13 releases and 13 tracks.  

Now the hard work behind his high-volume catalog is earning major dividends. In 2026, he has an official slot on the Coachella lineup. The legendary festival is part of a 26-date tour that includes other international hotspots such as Groove Cruise, EDC Mexico, Radius in Chicago, and KOKO in London. Not to mention, he’s just recently launched his new label and event series, Nu Moda.

“More than ever, consistency is such a huge factor for new artists [who are] coming up and trying to make a name for themselves,” Styler says. “It is so important because there are so many artists releasing music every weekend.”

Styler’s constant output naturally dismisses the idea of chasing hits. The track in his discography with the highest number of Spotify streams is the brooding tech house roller “I Know You Want To.” It has just over 11 million as of this writing, which is rather humble compared to his fellow dance contemporaries like Odd Mob and Mau P, who both have single tracks with streams in the hundreds of millions. 

Styler doesn’t have a smash like “Drugs from Amsterdam,” but not only are his numbers solid, they continuously increase. Plus, last year, he was Beatport's #1 Top-Selling Artist in Indie Dance and #2 in Tech House. More tracks equals more for other DJs to play out, which means more to buy.

“I almost think that the whole ‘one big song’ thing is a little bit dated now. You might be able to tour off of it for a year, but you have to answer back consistently, and really stay on it,” Styler says.

The consistency isn’t just about sharing music, though. Quality is necessary if each new track is going to resonate. Luckily, another element of the formula for success is “practice makes perfect.” After spending half of his life in the studio, Styler is generally happy with ideas across the board, and he has complete control over how they sound because he mixes and masters all his music. On the days of the week he’s not touring, he sets aside eight hours or so for production, and each session usually results in a worthwhile track:

“I've gotten very quick at putting down ideas. I'm not gonna be making something that stands out to me every time, but if I make 10 tracks in a month and one of those is a standout, then that can be slotted in and [I can] find the right label.”

With such a pristine reputation for quality, Styler has been able to approach numerous respected yet diverse labels. Lately, Patrick Topping’s Trick, Gorgon City’s REALM, Solomun’s Diynamic, and John Summit’s Experts Only have all hosted his music. He even did a remix for Calvin Harris, which naturally came out on a major label (Sony, to be specific).

Spending so much time in the studio has given Styler the kind of command of his sound to be able to adapt without sacrificing his authenticity.

“You don't want to just jump on a label, do exactly their sound, and lose sight of what you're doing. You have to maintain your sound as an artist while you're moving around,” Styler says. “But I do think it's really important to do that, because you want to tap into different communities while you're growing, and also show production range.”

However, now that Nu Moda is part of the fold, his focus for 2026 will be releasing solely on there to build the type of “world and community” that he’s seen other artists form around their labels. 

Currently, Nu Moda only has Styler’s haunting indie dance tune, “You & Me,” along with a deeply groovy remix from the Brazilian master Vintage Culture. But in just a few days, the label’s first compilation, Nu Moda Nexus 001, will be out with five eclectic tracks from an equally eclectic group of artists. 

Bulgaria’s Pavel Petrov makes an appearance with “Feel Good Inside.” WELKER has a cut on there called “Ice In My Eyes.” His first releases came out in 2025, but he’s already caught the attention of Club Sweat and Three Six Zero Recordings. Josh Gigante and Ugo Banchi joined forces on “Kill Bill.” Styler has had Banchi in mind for a release since he began ideating Nu Moda a couple of years ago.

“Nu Moda basically means ‘new style.’ It’s a reminder to push the boundaries, not do the same thing twice, and look for other people who are naturally in that same mindset,” Styler says. “It's finding a mix of smaller artists, established ones who are doing cool shit, and stuff that fits in my world that we're building.”

Styler welcomed fans into that world for the first time at Miami Art Week last year, where he hosted the first Nu Moda party. He brought it to Club Space’s little sister Floyd for an intimate night, and he invited two artists pushing their own sonic boundaries to join him. One was Beatport Next alum Nala, who is blurring the lines between punk rock and dance music with her sharp, shouty vocals. The other was OMRI., a new titan of minimalism. As a bonus, everyone who came got free Nu Moda merch.

“Building stuff like that for people who are dedicated enough to come to an event – it wasn't my show. It was a Nu Moda show. I wanted those people to have something to take home, and not to pay for it,” Styler says. “I'm not trying to just make a fucking buck off people who are coming to support.”

After years of grinding, Styler is at the point where thousands of people are coming to support him at his dozens of sets across the globe. In between the constant travel and all the producing, he has to be on top of his health. He does not take his position for granted. He’s been working towards this goal for so long, and he’s going to enjoy it while it lasts.

“I'm so fortunate to finally be able to do this. I'm so happy to be out on the road playing music for people and getting in front of different crowds in different cities all over the world. For years, it's been just out of reach, and I've wanted it so bad, and now it's here,” Styler says. “You never know, this could literally fucking go away anytime. Gotta soak it up.”

Listen to Max Styler's 'Artist of the Month' chart below or check it out on Beatport