HGods Breaks the Mold Once Again with "BAD FLESH"
A Track That Repositions HGods As An Architect Of Tomorrow’s Bass Sound
Brooklyn-based producer HGods has released “BAD FLESH,” a blistering new single that pushes his sonic boundaries further into raw, uncharted territory. A fixture in the city’s underground bass scene, HGods delivers a track that feels as much like a physical force as it does music: dark, shapeshifting, and unrelenting.
“BAD FLESH” opens with intent. Within moments, it dissolves the expected formula of bass music, warping drum sequences and injecting metallic textures into a booming low-end landscape. Across two bold drops, the track continuously mutates, offering an unpredictable structure. Each turn feels like a calculated execution, engineered for peak intensity on the dancefloor.
Rooted in originality, HGods builds on a foundation of genre-defiance rather than genre-dependence. This release follows the momentum of his “DON’T TRIP” EP, which featured standout tracks like “THE COMMOTION” and “JACKIE KENNEDY.” His ability to command a room has not gone unnoticed, with consecutive appearances supporting Illenium at Brooklyn’s Avant Gardner and a recent performance alongside genre heavyweights Kill Safari. With each set, HGods continues to raise the stakes.
More than just another single, “BAD FLESH” is a statement of intent from an artist who thrives in the tension between structure and experimentation. Known for an impressive ear for musical design, HGods channels both his influences and instincts to craft a piece that feels tactile, urgent, and dangerously alive.
“BAD FLESH is a refined product of my original sound through the blending of my many artistic influences and life experiences. It’s an indication of what I have in store for future releases, which I’m very excited and proud to share in the coming months, as I believe I have something special developing with this project.”
— HGods
For those watching closely, “BAD FLESH” is another bold move in a career defined by fearless evolution. HGods may come from the underground, but with work like this, he is building something far larger than a scene.
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