Amonita on Harmony, Vulnerability, and the Stories Behind the Sound
With her latest EP on Bar 25 Music, Amonita blends organic textures, emotional depth, and cinematic flow — exploring the invisible narratives that unfold between rhythm and silence.

Few artists translate emotion into sound quite like Amonita. Known for her deeply melodic, organic productions, she creates music that feels less like a genre and more like a state of mind. With her new EP The Game on Bar 25 Music, she explores themes of desire, intuition, and connection — drawing listeners into a world where every note carries intention and every rhythm tells a story.
In this interview, Amonita shares the inspiration behind the release, her evolving creative process, and how she balances vulnerability with sonic clarity.
What inspired the two tracks on The Game and how did they come together musically and emotionally?
The inspiration was the exploration of human emotions in their various manifestations. The track The Game reflects the passionate play between people, full of desire and energy, while Clockworks captures the gentle touch of fingers on piano keys, preserving emotional depth. Together, they intertwine like two sides of the same story — where passion meets harmony.
The title track carries your signature sound: dreamy, emotional, and flowing. How did this track come to life?
First came the dynamic afro rhythm, then the chords. The expressive Portuguese vocals became an instrument of seduction, intoxicating with their charisma and organically blending in, reinforcing my idea. In this work, I focused especially on percussion, combining it with emotional vocals and shades of my signature style. Gradually, the track developed an atmosphere slightly different from my usual sound, which allowed me to explore new combinations. The result is a dreamy composition that immerses you in the epicenter of an exciting game.
“Clockworks” is a collaboration with July Rose, originally a neoclassical piano piece. What inspired you to reinterpret it for the dancefloor?
The track Clockworks was created in collaboration with young composer and producer July Rose, known for his neoclassical and cinematic works. When I first heard the acoustic piano piece performed by him, I was inspired by its incredible beauty — and I really wanted to transform it into a dance version.
How did you first connect with July Rose, and what was the creative exchange like between the two of you?
One day, a friend of mine sent me a piano piece to listen to, and I was completely fascinated by its sound. Thanks to him, I met the talented pianist July Rose. We quickly found a common language, and a creative bond formed instantly. July sent me his MIDI parts, and I started working on the track, adding my own emotions and atmosphere. That’s how our joint composition was born.
Your music often blurs the line between electronic and acoustic. What role does live instrumentation play in your creative process?
For me, live instruments are breathing and emotion. Electronics offer endless possibilities, but it's the acoustic sounds that add warmth, vulnerability, and that very human touch to music. I love connecting these two worlds — because real magic is born in that intersection.
You’ve released on labels like All Day I Dream and Anjunadeep. How does Bar 25 Music fit into your artistic path?
For me, each label is a separate universe with its own atmosphere and audience. Bar 25 Music feels bold and full of club energy. Through this release, I was able to show a more daring side of my sound — and Bar 25 fit into my journey very organically.
When you start a new track, do you begin with a melody, a feeling, or a specific concept in mind?
I don’t have a single formula. Sometimes it all starts with a melody, sometimes with a mood or a feeling, and sometimes a specific idea becomes the starting point. But in any case, the most important thing for me is to capture the atmosphere — that spark that sets the direction for the whole track.
“The Game” has a sense of storytelling embedded in it. Is narrative important to your music, even without lyrics?
The story is always important to me, even without words. I have quite a few tracks where the melody is the main character. In The Game, I built the dynamics and atmosphere so the music could complement the vocals and keep the listener in suspense.
What was the most challenging part of finishing this EP, and what felt effortless?
The most difficult thing was to stay focused. I get distracted easily, and when that happens, I risk losing the ideas I want to bring to life. The easiest part, on the other hand, was the creativity itself — once I find inspiration, the music just pours out of me.
As a female producer in the electronic scene, do you feel the space is changing? What has your experience been like?
The electronic scene is still predominantly male, and it shows. But after nine years of experience, I’ve realized that the main strength of a female producer is the ability to trust herself — her sound, her instincts — and to bring a unique energy to music. A feminine vision and sensitivity add a new dimension to electronic production, and I believe that’s valuable.
You’ve created such a recognizable sound. How do you stay open to change and new influences without losing that signature?
It’s important for me to keep the emotional core and atmosphere that define my style. But I’m always experimenting — with textures, sounds, structure. I see new ideas as opportunities to expand my musical language, blending different styles and creating something new while still staying true to myself.
Looking ahead, what kind of projects or collaborations would you love to explore next?
I’ve been in immigration for quite a long time, and because of constant moves and studio changes, I often had to break my music into mini-albums. In the future, I’d love to finally complete a full-length album. I also want to continue experimenting with formats, collaborate with musicians from different genres, and keep combining live instruments with electronics — creating new textures, emotions, and experiences.






























