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francispreve
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Published Content
Production Master Class: Automation
1 December, 2008 | 12.00PM
After a brief US holiday break, our master classes are back in session.
In this lesson, a bevy of EDM’s top producers reveal their insights into the process of automating tracks.
By automating effects and synth parameters, producers keep things interesting by constantly changing sounds and textures as a track progresses to its peak.
Some artists discuss their approach using broad theoretical brushstrokes, while others go much deeper into the specifics of the various tools in their arsenal.
Either way, these insights are sure to help producers of all skill levels add intensity and drama to their mixes.
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New Noise Apps for iPhone
25 November, 2008 | 6.00AM
Since the release of the iPhone 2.0 operating system, Amidio Inc. has been hard at work putting the finishing touches on a pair of iPhone apps for EDM producers.
We covered the initial pre-announcement of Noise.io a while back, but it looks like the finished product (iTunes link) is a real gem.
Noise.io’s (pictured above) ESFM synthesis tools are a combination both FM and subtractive synthesis technology, kind of like a simpler version of Ableton’s Operator, with a sci-fi interface.
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Tech News Roundup: November 21, 2008
21 November, 2008 | 12.00PM
Free plug-ins, a portable hardware widget to run them, and a valuable lesson on differentiating between Deadmau5’s music and your own are all rolled up into this week’s roundup.
It’s been an interesting week, to say the least.
More info after the jump.
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Tutorial: How to use modulation effects
19 November, 2008 | 12.00PM
With compression, gates, delay and reverb covered, we’ll now delve into the mysteries of modulation effects.
Flanging, chorusing, phasers, tremolo, and auto-panning are the most common types of modulation effects in modern synths and digital audio workstation software.
Since each of these effects has its own flavor, this tutorial will cover the specifics of what to use and when to use it.
For example, flangers are great for adding animation to percussion and sweeps, but can be problematic when used on bass.
Let’s find out why.
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Native Instruments releases True Strike Tension
18 November, 2008 | 12.00PM
The latest Native Instruments’ Kore Soundpack, True Strike Tension, combines world percussion instruments from Africa, Japan, and the Middle East, then adds a cinematic element that focuses on suspense and mystery.
We think that’s an interesting combination with quite a bit of potential – and the demos on the NI website certainly support that.
Created in collaboration with notable sound design company ProjectSAM, the sounds in True Strike Tension make great use of the sound shaping and browsing features in Kore 2 and the free Kore Player.
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M-Audio updates Luna microphone
17 November, 2008 | 1.30PM
Sampling fans and vocalists take note.
If you’re in the market for a top-notch studio microphone, M-Audio’s new Luna II cardioid condenser model is worth a closer look.
The award-winning original Luna is quite popular among producers thanks to its Class-A, solid-state electronics and a large, 1.1” ultra-thin, 3-micron, evaporated-gold diaphragm with brass capsule.
The Luna II microphone is expected to ship later this month, with an MSRP of $399.99 US.
Full details can be found here.
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Tech News Roundup: November 14, 2008
14 November, 2008 | 12.00PM
Last week, November’s music tech news got off to a quiet start.
This week, the pace picked up a bit.
Create Digital Music posted a slew of interesting tidbits, as did Synthtopia.com.
Throw in a handy new iPhone tool for producers and an incredible sale on AAS softsynths and you have the makings of a busy week for music tech.
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Beatportal reviews Dave Smith’s Mopho
12 November, 2008 | 1.00PM
Few synths – other than the Prophet 08 and the Moog Voyager – have created as much advance buzz as Dave Smith Instruments’ new Mopho.
Based on the sound engine of the Prophet, the Mopho is a monophonic (one note at a time, not chords) synth that features a fully analog signal path and more features than other synths costing three times the price.
And it’s only $439 MSRP.
We’re among the first to get our hands on one, and after a few weeks of tinkering, here are our findings.
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Blue announces Icicle
11 November, 2008 | 12.00PM
Laptop producers on the go are always on the lookout for tiny toys that fit in a gig bag.
Blue Microphones’ new Icicle, a super-portable in-line USB converter and preamp, makes connecting XLR microphones directly to your Mac or PC a straightforward process.
Blue understands that producers need simple, hassle-free products, so there are no complicated drivers, I/O boxes, or additional converters required.
Icicle works with dynamic and condenser microphones, providing high quality connectivity with Mac or PC for recording, podcasting, sampling and more.
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MOTU MachFive Upgrade Deal
10 November, 2008 | 2.00PM
We were deeply saddened by the discontinuation of GigaStudio earlier this year, as its passing abandoned a lot of users who had invested heavily in the software.
Clearly, MOTU were saddened also.
So much so that they’ve just unleashed a killer offer on their competing MachFive softsampler.
And the offer isn’t strictly for GigaStudio owners either.
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