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Luke Abbott’s live set

Luke Abbott’s live set

We love the Border Community [l] artist Luke Abbott. His records have a burbling, psychedelic quality that’s rare in dance music; stylistically, he slots somewhere in between James Holden [a] and Four Tet [a], but Abbott’s synthesizer-heavy music definitely has a specific quality all its own. You can practically hear the patch cables bobbing between the beats in Abbott’s grinding, bubbling modular freakouts.

Until now, he has been using a laptop and MIDI controller for his live performances. But now he’s come up with an almost all-analog live set, using the computer primarily as a MIDI clock. He runs down his list of gear in a new blog post, including a few tasty photographs. You can’t argue with this reasoning: “ ...heavier, less functional, more prone to damage, more expensive, harder to travel with. Yep, this is less practical than a laptop set in almost every way. But, it sounds better and it’s more fun.”

For anyone interested in re-thinking live electronic performance, it’s well worth a read.

Keep reading to check out Abbott in full-on modular mad scientist mode, in a 13-minute drone piece we found posted on Border Community’s SoundCloud page. And don’t miss his new remixes for Crimea X, on Hell Yeah [l], and Ghianda, as well as his most recent Border Community single, ”Trans Forest Alignment.”

Luke abbott - forgive and remember by Border Community

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