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A year in the life of Radio Slave

A year in the life of Radio Slave

Radio Slave [a] is one of our heroes and a serious contender for producer of the year.

In the last 12 months he has released a staggering number of quality productions and remixes.

Join us as we take a look at and listen to Radio Slave’s work from the past year.

Last December Radio Slave dropped his Panorama Garage Remix of Matt O’Brien ‘Serotone’ which was picked up by all the big techno and house DJs.

Then he remixed Trentemøller’s massive hit ‘Moan’ into a deep spacey number:

Radio Slave then demonstrated his skills behind the decks on Misch Masch Vol.4, a tight double mix compilation of filthy tech house and deep techno:

In July came Radio Slave’s own production ‘Screaming Hands’, which Josh Wink reinterpreted into an acid house monster:

Unkle used Radio Slave’s studio skills to remix their ‘Burn My Shadow’ into a dark house beat:

August saw him remix Armand Van Helden’s ‘This Ain’t Hollywood’ into a tough tech house chunker:

Radio Slave then dished out his Panorama Garage remix treatment again on Le Noir’s ‘Eleny’: turning it into a hypnotic house cut, full of exciting monotony (in dance music the two can go together, just ask Ricardo Villalobos).

In October he dropped loopy house with his remix of Len Faki ‘My Black Sheep’:

Now he’s riding high again in the charts with his own production ‘Bell Clap Dance’:

It’s been a busy year in the studio for Radio Slave. Lucky for us.

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